They’ve imagined nightmare-inducing horror stories, near-future dystopias, and untold misery caused by everything from childhood to marriage. But when it comes to Donald Trump, some of our favorite authors draw the line. According to the New York Times, more than 400 writers have signed a petition protesting his candidacy:
A group of more than 400 writers, including big names such as Stephen King, David Eggers, Amy Tan, Junot Díaz and Cheryl Strayed, released an online petition on Tuesday to express their opposition to Mr. Trump’s candidacy on the grounds that he is appealing to the darkest elements in American society.
“The rise of a political candidate who deliberately appeals to the basest and most violent elements in society, who encourages aggression among his followers, shouts down opponents, intimidates dissenters, and denigrates women and minorities, demands, from each of us, an immediate and forceful response,” they wrote.
Of course, that was yesterday. The number is now closer to 8,000 signatures. Continue reading
No, the girl says, she will not wear the fetal monitoring belt. Her birth plan says no to fetal monitoring.
These girls with their birth plans, thinks Franckline, as if much of anything about a birth can be planned….
And so begins Eleven Hours by Pamela Erens. Lore is a single thirtysomething who shows up at the hospital alone to give birth. She is assigned a nurse, Franckline, who has just entered her second trimester, but is not showing—and hasn’t told her husband yet. Eleven Hours is the story of Lore’s labor and delivery, but her story is also Franckline’s. The two women seem very different, but they have more in common than they will ever (or could ever) know.
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There’s a game I play with my five-year-old son. I give him the line “Once upon a time” and a handful of words—say, “donkey,” “cheetah,” and “rock.” In a flash, he launches in: “The donkey went over to the field and it was looking for something to eat and it found a cheetah sitting there and it was near a big rock, but it was eating and….” With an abundance of conjunctions, he hurtles into the story, sweeping us both up and carrying us along to the end.
In my early drafts of stories, when I’m writing without much self-awareness, my sentences are long, twisting and turning with subordinate clauses, phrases, conjunctions and parentheticals. But during revision, I begin to chop them up or cross them out, as if I don’t trust their power to hold the reader’s attention. As if I don’t trust myself. I have to go through another revision to put them back in and remember the pleasure that a long sentence offers, with its sounds and rhythms and suspense and tension. When I teach Style in Fiction, I ask students to bring to class a favorite sentence from a published work, a sentence they wished they’d written, and most—I’d say 95%—bring long sentences.
Ann Friedman is a freelance journalist who writes a weekly column for New York Magazine’s The Cut. She is also a regular contributor to The Los Angeles Times, The Gentlewoman, The New Republic, The New York Times Book Review, ELLE, and The Guardian. Friedman has worked as an editor at AlterNet, Feministing, The American Prospect, and GOOD magazine. She is the co-founder of Tomorrow magazine. She co-hosts Call Your Girlfriend, a podcast for long-distance besties everywhere, with her friend, Aminatou Sow. She also sends a weekly email newsletter and makes hand-draws pie charts, which you can find on her website. Friedman lives in Los Angeles.
EB: Let’s start at the beginning. What is your writing-nonfiction origin story?
AF: When I was a kid I would write fiction, but ever since I’ve been old enough to read newspapers and magazines, I’ve been primarily into writing nonfiction. I still love reading fiction and I have boundless respect for its writers. But for me, there is so much weird and wild and important stuff going on in the world—I take my inspiration from it, want to comment on it, want to explore it. Nonfiction is so direct in that way. I love it.
EB: Seriously, why bother making stuff up? The real world is nuts. What is the weirdest, wildest, most important thing you’ve written about lately?
AF: I recently finished a feature about a jetpack pilot. There’s this weird arms race (backs race??) happening right now to build a jetpack that will fly for more than 5 minutes. Of course they’re all semi-crazy dudes who are vying to be the first. It’s fascinating. And sure, you could make them up. But it’s much more fun to interview them IRL. I mean, I got to strap on a jetpack while reporting this article! Continue reading
Here are a couple of tracks that are all about finding that pocket in a non-obvious way.
The first is organic soul music from D’Angelo and the Vanguards’ Black Messiah, recorded by musicians in the same place at the same time, all onto analog tape (you may remember an earlier post from these guys).
The second is manufactured with bleeps and blorps from the genius mind of Aphex Twin on his latest album Syro. For a deeply layered and satisfying listening experience, I can’t recommend either of these albums highly enough. Both go deeper and deeper, and both understand the importance of that pocket…