Category Archives: a motion picture is worth a couple of words

Now Playing: Inherent Vice Trailer

The trailer for Paul Thomas Anderson’s adaptation of Thomas Pynchon’s Inherent Vice is here. Been looking forward to this one for a long time.

Inherent Vice was “the Pynchon book I was the least interested in reading, and the one I flat out enjoyed the most.” It also strikes me as the most film-adaptable of his novels, especially at the hands of Anderson, who also did There Will Be BloodMagnoliaBoogie Nights, and one of my personal favorites, Punch Drunk Love.

You can read more about his love of Pynchon and work on Inherent Vice in a recent New York Times story.

-Michael Moats


Filed under a motion picture is worth a couple of words, Hooray Fiction!

If There’s One Thing I Hate, It’s the Movies

Salinger Paris Theater

More Salinger news from Time Online:

Less-than-stellar reviews of the recent documentary exploring the life of The Catcher in the Rye author J.D. Salinger haven’t stopped Harvey Weinstein from plans to turn it into a scripted feature-length film.

The movie will be written by Shane Salerno, the man behind the current documentary and book. Regarding that:

Penning an entirely new Salinger movie, while already well researched, isn’t the only thing going on for the former Armageddon writer. Even while promoting his documentary and book of the same name, Salerno has continued work on one of the three Avatar sequels.

Let’s just hope Salerno’s depiction of Salinger’s postwar struggles is more nuanced than his previous portrayal of mental health challenges:

Previous Salinger coverage herehere, and here.

– Michael Moats

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Filed under a motion picture is worth a couple of words, The Real Holden Caulfield

Not Your Tom Cruise’s Oblivion

For everyone who was disappointed that the Tom Cruise vehicle “Oblivion” was not based on the David Foster Wallace story and/or collection of the same name, now is your chance to turn that frown upside down! That is, until you see the new “Oblivion” movie, which, as the recently launched Kickstarter campaign describes it, is “story of marital strife, sleep deprivation, and hallucination” and is not likely to be very uplifting.

The only way to find out for sure is to support the campaign and help crowd-fund the movie. There are a few perks to giving, beyond seeing the film completed. Depending on your pledge level, you can get a copy of the movie — which is good since “there are no plans for a digital or online release” — or an edition of the shooting script, an “Oblivion” poster with original artwork by Alex Passapera, or some other goodies.

More details here.

While we’re pretty sure Tom Cruise is not in the movie, we can make no guarantees that there won’t be some weird correlation or fewer than six degrees of separation.

Again, the only way to find out for sure is to throw the guys a few bucks and see what happens.

– Michael Moats


Filed under a motion picture is worth a couple of words

Raiders of the Last Book


The more we fear that printed books are dying, the more we revere them in the abstract. I’ve already noted the imaginary books that carry the weight of gospel in movies like American Pie and TV shows like How I Met Your Mother. Now the University of Chicago has found a real package addressed to the fictional Indiana Jones. It contains a book, of course—a facsimile of a fictional notebook written by Professor Abner Ravenwood in Raiders of the Lost Ark. The book itself is a ruse, a collection of scraps and scribblings designed to make the movie feel authentic. But no one can deny that it’s physically real. That’s why it’s so exciting.

It was easy to believe in Abner Ravenwood’s notebook on the big screen, where it was part of a rich tradition of movies in which an imaginary book holds the key to everything. But at a time when print is said to be dying, everyone is pleasantly shocked by the thought of this book as a physical object.

– Brian Hurley

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Filed under a motion picture is worth a couple of words

Everything But the Batman

The crowd that assembled on Saturday night for a screening of The Dark Knight Rises in Sheepshead Bay, a remote and fairly diverse part of Brooklyn, could be described with only some exaggeration as a mob. I was instructed to wait outside in a loose throng, clutching my ticket to the sold-out show, because there was not enough room for us in the theater lobby. An employee searched my bag before I could enter—I was at first relieved, and then disturbed, to realize he had bigger concerns than the Sprite Zero and Pretzel M&Ms I was sneaking in—and two New York City police officers stood watch at the door. This was no ordinary movie. One day earlier a man walked into a screening of the same movie in Aurora, Colorado and opened fire, killing 12 people and injuring 58. That was a crime straight out of a Batman movie—a brutal attack on random citizens, motivated by a kind of insanity that challenges the very notion of a civil society. The Aurora screening had its real live supervillain–the shooter described himself as “the Joker.” In Sheepshead Bay we had real live cops—the New York City police who frisked me with their eyes provided the basis for the Gotham City police. And at every screening—The Dark Knight Rises earned $162 million over the weekend—there was a Gotham-style mob. The viewing of this movie creates a set of circumstances in which someone like Batman ought to emerge and tilt our society back toward order and civility. But there was only one Batman, and he was stuck on the screen.

– Brian Hurley

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Filed under a motion picture is worth a couple of words, how fiction explains the world

Suzy Bishop’s Books

Did you have the same thought I had after seeing Moonrise Kingdom?

What was Suzy Bishop reading!

She’s lugging that suitcase full of YA books all over New Penzance. We see their titles, and we hear a bit of the text when Suzy reads them aloud. But for the most part they’re a mystery—another bespoke item created for Wes Anderon’s bespoke universe, hinting at some deep meaning but confined to a few brief moments on screen.

Well, here they are.

According to the producer of Moonrise Kingdom, these animated shorts were originally planned for the movie itself, but Wes Anderson decided to shoot the characters’ faces as they read the books instead.

“I think it’s kind of nice that rather than just doing one whole story, [we’re] doing these little snippets,” says Dawson. “They’re about imagination — it’s just more like a spark of this story.”

Personally I’m fascinated when books are invented, but never actually written. There’s a history of artists making fake books to serve as a source of wisdom or inspiration within an invented world. For Suzy Bishop’s books, this is a double-edged sword: the books are totally secondary to the film, but the film treats them with reverence.

What do you think of Suzy Bishop’s fake books?

– Brian Hurley


Filed under a motion picture is worth a couple of words, Hooray Fiction!