“I think about a world to come / Where the books were found by the golden ones / Written in pain, written in awe / By a puzzled man who questioned / What we were here for…”
You’ve no doubt heard — David Bowie passed away last night after fighting cancer. He was 69 years old.
In response, Twitter has reminded us that Bowie was a serious book lover. Geoffrey Marsh, who curated an Art Gallery of Ontario exhibit on Bowie a few years back said Bowie was “‘a voracious reader’ who is reputed to read as much as ‘a book a day.'”
So we want to say goodbye the best way we know how: by talking books. Here is a list at Brain Pickings of Bowie’s 75 favorite books, and an article at Open Book Toronto that expands the list to 100. There is lots here that you would probably expect — Orwell’s 1984 and Nabokov’s Lolita — as well as a few interesting choices like The Brief Wondrous Life of Oscar Wao and Hitchens’ The Trial of Henry Kissinger.
These are the recommendations on books from Bowie. Any recommendations from readers out there on the best of the more than 60 books that have come out about Bowie? Here’s one we liked.
Most mainstream speculative sci-fi follows a handful of basic storylines, roughly speaking, the efforts of Good Guys to prevent, survive, overthrow or reverse social orders or apocalyptic events, typically caused by Bad Guys. America’s latest favorite, The Hunger Games, is first about surviving and overthrowing. The Matrix trilogy is about overthrow and reverse. The Terminator franchise has explored all of these areas with varying degrees of success.
In literature, George Orwell’s 1984 is, on its surface, about overthrowing. Cormac McCarthy’s The Road is about surviving. Margaret Atwood has a well-deserved reputation as a master of the form, and while her works are typically a cut above the rest, they still fall into the usual categories. Her best known book The Handmaid’s Tale is, in its unique way, about surviving and overthrowing. More recently, she has written a trilogy of speculative sci-fi about the collapse of a near future dystopia. The first two entries fit into the broad categories of prevention and survival. But the final book, MaddAddam, is an exception — to the trilogy and the sci-fi mainstream. Continue reading