David Gilbert’s opening line in his review of Aleksandar Hemon’s The Making of the Zombie Wars:
The Summer of Love rolled into town and left behind an S.T.D. otherwise known as 1968.
Read the rest of the review at the New York Times online.
David Gilbert is the author of & Sons, which we reviewed (with fewer great lines).
At the center of the many characters and plot lines in David Gilbert’s new novel & Sons is an aging New York novelist named A.N. Dyer. Dyer’s debut work about young men in a Northeastern boarding school is an American classic, beloved by almost all who read it, most of whom do so as teenagers. Dyer has been deeply secluded in his New York apartment for years (in the opening scene at a funeral, some attendees have brought books to try and get signed). He has been in trouble for a dalliance with a much younger woman. And within 25 pages he has referred to someone as a “sporty bastard.”
The parallels to J.D. Salinger here are obvious. There are other touches throughout the book. Characters crying at the natural history museum. “Fuck You” scrawled on a ceiling. A rain-soaked scene of emotional release at the Central Park carousel. One character, Jeanie Spokes, who works at Dyer’s literary agency and handled correspondence to the famous author, seems to be based on a woman who worked at Salinger’s literary agency and handles letters to the famous author. Dyer’s live-in nurse Gerd bears a passing resemblance to Salinger’s last wife Colleen, a nurse.
But & Sons is not a novelization of the imagined life of J.D. Salinger, and the famously reclusive author is only the most well-represented of several literary fathers here. Continue reading