Maggie Nelson is the author of The Argonauts, Bluets, The Red Parts: Autobiography of a Trial, and several other books of poetry and non-fiction. The Argonauts won the National Book Critics Circle Award in Criticism and was a New York Times bestseller. Nelson has been the recipient of a MacArthur Fellowship, a Guggenheim Fellowship, and an NEA Fellowship in Poetry.
Colter Ruland: I first read your work in an undergraduate poetry workshop where we were assigned Bluets. It was, without a doubt, the highlight of the reading list. It demonstrated how one can write about complicated ideas and be vulnerable concerning one’s personal narrative. Is writing from the personal a way for you to then engage with broader ideas, or is it the other way around?
Maggie Nelson: Thank you, and I’m glad you read Bluets as an undergrad! You know I don’t think of the personal and “bigger ideas” as opposite or even separate spheres of inquiry, per se. I often conceive of myself as doing the non-genius version of what Wittgenstein was doing when he would ask questions like, Can my right hand give my left hand money? It’s your body and it’s also a complex idea at the same time. As it should be.
CR: In many ways you’re breaking down hierarchies of language and subject matter, eliminating the sort of stuffy question of what can and cannot be put into conversation with one another. In The Argonauts, you write about your pregnancy and your partner Harry Dodge taking T, and it can occupy the same space as your and Harry’s (hilarious, insightful) interpretations of X-Men: First Class. Continue reading