“You’re going to go into that final trial date in drag,” the famed Stormé DeLarverie tells Alice Anderson late in her memoir, Some Bright Morning, I’ll Fly Away. “You gonna go as the most upright, pretty, perfectly Southern Republican mama they ever fuckin’ seen. And you gonna to play that part like you know how to play it, the best you’ve ever played it.”
It’s the first time in the book that dressing up and playing a part has been called what it is, but drag is all Anderson has been doing since its first pages. She buries the trauma she suffered at her father’s hands under the façade of a good daughter. She clothes herself as a model in Paris. She masks herself as a perfect wife to her terror of a husband. All of these identities are drag, and they serve as a wire that runs through the book, tensing until it snaps. Continue reading
Suki Kim is an investigative journalist, novelist, and the only writer ever to live undercover in North Korea. In 2011, Kim Jong Il’s final year, Kim spent six months posing as a Christian missionary and an English teacher in Pyongyang, documenting the psychology of the future leaders of North Korea, which resulted in her New York Times bestselling work of literary nonfiction, Without You, There Is No Us: Undercover Among the Sons of North Korea’s Elite. Kim has also written for the New York Times, New York Review of Books, Harper’s, and The New Republic, where she is a contributing editor. Her first novel, The Interpreter, was a finalist for a PEN Hemingway Prize. Born and raised in Seoul, Kim lives in New York.
EB: How did you begin writing nonfiction?
SK: My first book was a novel. But the very month The Interpreter was published was actually the same month that my first longform nonfiction was published. For me, it was always a natural transition. They are both prose I feel comfortable in so I can’t recall a point when it all began. Perhaps it’s about the subject. Some subjects require nonfiction, and in this case, the topic of my first nonfiction was North Korea. Continue reading