Tag Archives: Robert Repino

HITTING SHELVES #40: Culdesac by Robert Repino

culdesac

Culdesac by Robert Repino comes out today!

It’s the only story ever written about a bloodthirsty bobcat with opposable thumbs who fights against a ragtag band of humans on behalf of an army of giant ants. Set in the same world as Mort(e) and its soon-to-be-released sequel, D’Arc, this is a crucial episode in Repino’s series about the War With No Name, a brilliantly bonkers cross between Watership Down and old Rambo movies, whose real-life political undertones grow more relevant each day.

We asked the author one question.

How are you celebrating the publication of Culdesac?

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The Twelve Books of Christmas (or Your Chosen Winter Holiday)

At this time each year, two major things happen: everyone starts telling you what the best books of the last 12 months are, and you start trying to find nice gifts for the people in your life. Books, of course, make excellent gifts. They’re weighty but not too large. They’re often beautifully designed. And they (usually) communicate a certain respect for the cultural and intellectual qualities of the receiver.

But books as gifts also come with hazards. Giving one is a not-so-implicit demand that the receiver must actually read it. Where does your friendship stand a month from now if they read it and hate it? Are you maybe just giving them a book to show off your own cultural and intellectual qualities? 

It’s enough to make you just buy a gift card. But don’t give up. Fiction Advocate is here to help, with a list of some of the best, and worst, books to give as gifts this holiday season. We’re happy to present the 2015 Twelve Book of Christmas/Your Chosen Winter Holiday.

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1: BEST BIG BOOK TO GIVE: City on Fire by Garth Risk Hallberg

City on Fire

An ensemble piece like Love Actually, except instead of Christmas in Britain it’s the collapse of civilization in 1970s New York City. There’s been a lot of hype around this one. Believe it.

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2: WORST BIG BOOK TO GIVE: Book of Numbers by Joshua Cohen

Book of Numbers

A young man with no responsibilities, and no apparent consequences for his actions, complains about the ridiculous writing job and extraordinary adventures that he falls into. I’m sure other stuff happens but I gave up around the part where he uses a laptop charger cord to masturbate. This book is a solipsistic hellscape of narcissism, entitlement, self-destructive behavior and bullshit masquerading as a commentary on our digital age.

…if for some reason that sounds good to you.

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3: SUREST BET TO GIVESlade House by David Mitchell

Slade House

Beautifully designed on the outside, a page-turner on the inside. Literary enough for your snob friends, accessible enough for your Dan Brown friends.

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4: RISKIEST BET TO GIVE: Jillian by Halle Butler

Jillian

Is it too much like the TV show Girls? Is it too much like your actual, depressing life? Or is it exactly the right amount of bleak, contemporary, hilarious realism? At least one person in your life will absolutely adore this book. But choose carefully.

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5: COOLEST NERDY BOOK: Hamilton by Ron Chernow

Hamilton

This may be your best chance to show both your nerd cred and your cool cred by giving a doorstop historical biography that is also the basis of a hip-hop Broadway sensation. Read here if you need more convincing.

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6: JUST PLAIN NERDIEST BOOK: Thing Explainer by Randall Munroe

Thing Explainer

You know, things. Like “Bags of Stuff Inside You.” And “Stuff You Touch to Fly a Sky Boat.” Totally normal, socially well-adjusted things.

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7: MOST FUN BOOK TO EXPLAIN: MORT(E) by Robert Repino

Morte

“Giant intelligent ants take over the planet, and a cat with opposable thumbs rises up against them, but he’s in love with a dog who hasn’t been transformed yet, and there might be a few humans alive, but they’re dressed like raccoons because they’re hiding. The whole thing is a critique of organized religion. You’ll get it. Just read it, you’ll get it.”

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8: MOST FUN BOOK TO NOT EXPLAIN: Unworthy: How to Stop Hating Yourself by Anneli Rufus

Unworthy

“Thought you could use this!”

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9: BEST TITLE: The First Collection of Criticism by a Living Female Rock Critic by Jessica Hopper

Hopper

You see this title and you say “Really? No, that can’t be true. Oh fuck, of course it’s true. Which means it’s the greatest title I’ve ever heard. And now I have to read it.” (It’s good inside, too.)

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10: WORST TITLE: The Whites by Richard Price

Whites

It’s supposed to be really good and I want to read it, and it has nothing to do with race. But you run too much of a risk that your dumbass cousin or Fox News-watching brother-in-law is going to take an interest and start a conversation about how all lives matter.

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12: BIGGEST AMOUNT OF BOOK: 3000 Classic Books USB Drive

3000 Classic Books

For your family member who likes to buy white tube socks by the hundreds at Costco (and has never heard of Project Gutenberg).

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12: LITTLEST AMOUNT OF BOOK: Iterating Grace by Koons Crooks and Anonymous

Iterating Grace

In 26 unforgettable pages, an anonymous writer takes the douchebags of Silicon Valley over his or her knee and spanks them in the most literary way possible.

 

Michael Moats and Brian Hurley

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The 10 Best Books of 2015

In the humble opinion of one of our editors…

1 2 3 4 5

See what we said about them:

Signs Preceding the End of the World by Yuri Herrera

Chelsea Girls by Eileen Myles

The Sellout by Paul Beatty

The Meursault Investigation by Kamel Daoud

I Am Sorry to Think I Have Raised a Timid Son by Kent Russell

Eileen by Ottessa Moshfegh

Mort(e) by Robert Repino

Jillian by Halle Butler

Eve’s Hollywood by Eve Babitz

Making Nice by Matt Sumell

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5 Qs for Robert Repino, Author of Leap High Yahoo

Leap High Yahoo

Robert Repino, author of the breakout sci-fi novel Mort(e), has published a new novella.

Like his first novel, Leap High Yahoo is about animals and violence in an eerie future that bears a strong resemblance to a ravaged Philadelphia. Unlike his first novel, Leap High Yahoo also about humans, China, capitalism, the Occupy movement, and xenophobia. And the audiobook is narrated by none other than Bronson Pinchot. Continue reading

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HITTING SHELVES #15: Mort(e) by Robert Repino

Morte

Mort(e) by Robert Repino comes out today!

It’s the story of Earth, after a species of giant super-intelligent ants rises from underground, kills off most of humanity, and turns all the animals (dogs, cats, raccoons, pigs) into walking, talking, opposable-thumb wielding creatures.

So that’s something new!

As the dogs and cats of the world try and make sense of their new ant overlords, and wrestle with the threat of a few surviving humans who lurk in the shadows, Repino turns this wacky, blood-spattered story into a heartfelt allegory about religious belief, the survival of cultures, and individuality.

This is Repino’s debut novel, but we have been obsessed with him for years.

We asked the author one question.

Fiction Advocate: How are you celebrating the publication of Mort(e)?

Robert Repino: There are so many milestones in the life of a book that the actual publication seems a bit anticlimactic. In the case of Mort(e), there was the completion of the first draft in 2011, which occurred on a train from NYC to Montreal. I believe I visited the café car and got a toasted bagel. A year later, after much revision, an agent expressed interest. Six months after that, she agreed to officially sign me up, only after I had revised the book again. Twice. In early 2013, she sold the book to Soho, and I celebrated by having some wine with dinner and then grinding out a few hundred words for another novel that I’m still fighting with. (I’ve been trying to make that the way I celebrate everything book-related.) Then, about nine months after that, my editor asked me to remove over 100 pages in six weeks—one of the most challenging things I’ve ever done as a writer. Then we decided on a cover. Then the advance copies arrived. Then the first reviews. You get the point.

I guess the difference this time will be that the release of the novel is a milestone that I share with more people. Though the book technically publishes on 20 January, Random House has given us a very Catholic-sounding “dispensation” to sell copies early. This way, we can have a reading in Philadelphia on 19 January, followed by a discussion with the author Ryan Britt in Brooklyn the next night. So, my celebration has already been planned for me as a two-day extravaganza.

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The Best of 2011

AFTER A LONG YEARFiction Advocate and Trade Paperbacks asked readers and writers what they loved reading in 2011. Here’s what they said:

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Ismet Prcic, author of “Shards”

“Widow” by Michelle Latiolais — Brutal and honest and well-fucking-written.

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Matthew Gallaway, author of “The Metropolis Case”

“Pilcrow” by Adam Mars-Jones — I’ve loved many books in 2011, the most recent being “Pilcrow” by Adam Mars-Jones. Set in 1950s England, the story is narrated by a young boy who grows up with a joint disease that keeps him bed-ridden until he’s nine or ten, after which he attends a series of boarding schools for the disabled. Far from being depressing, however, the narrator views the world with an infectious sense of wonder, detail, and mischief, which along with the fact that he’s gay (not that he uses the term) makes for a completely illuminating read. In my experience, far too many books assume that children are asexual or heterosexual until proven otherwise, so it was amazing for me to read something that captures a sense of knowing that you’re different and presenting this difference with a sensual awareness/optimism that captures the excitement of what it means to be young and alive and filled with dreams.

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Michelle Lipinski, book editor

“The Metropolis Case” by Matthew Gallaway — Matthew Gallaway’s novel stands out because it does something few novels do: it welcomes novices as well as old hands with the simple hook of an extremely well-executed and dramatic tale. One doesn’t have to know about New York, Paris, opera, or punk rock to see that the language is stunning, the prose is lyrical, and nothing is out of place. There is a distinct reality in Gallaway’s sometimes surreal story, a reality that contains a “painfully stretched-out sense of longing” (as Scott Timberg says in the New York Times) which rolls in and out of the intertwined stories like fog, touches upon some truth, then quickly burns off in the sun.

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Jane Lui, musician

“The Wonderful Wizard of Oz: A Commemorative Pop-Up” by Robert Sabuda and “Cinderella: A Pop-Up Fairy Tale” by Matthew Reinhart — Honestly, if kids got their hands on these, the books would get ripped apart. To me, these are meant to be appreciated in detail by adults: engineers, hipsters, retired physicists, middle-aged Disneyland nerds, and your mom. Not only do the images pop, but they’ve made the pop-ups move with the motion of the turning pages. On the first page of “The Wonderful Wizard of Oz”, the pop-up hurricane turns in a circular motion as you open it. It’s fascinating and beautiful. Just please don’t give it to a child.

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Karl Wirsing, contributor to Trade Paperbacks and Communications Director at Rails to Trails Conservancy

“The Wave” by Susan Casey — In this participant/author exploration, Casey follows extreme surfer Laird Hamilton in his quest for the giants of the sea (waves 50 feet and taller, with the kind of power to skin a tree), alternating the narrative between his story and the greater threats of rogue waves–often related to climate change–in the ocean. It’s the kind of book where you think Casey has peaked with her stories and extremes by the first few chapters, yet she somehow manages to extend and accelerate the tension. She sometimes loses herself in the prose, tying herself in sensational knots as she attempts to capture the crushing force of these waves. But through it all the message is clear and riveting: Fear the waves, dude. They’re out there. They’re getting bigger. And they will mess you up.

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Laura West, blogger and PhD Candidate in the Georgetown University Department of Linguistics

“A Game of Thrones” by George R.R. Martin — The average sentence I read in 2011 went something like this: “One might think that interactants’ insistence on the assertion of relative epistemic rights is an ugly contaminant of courses of action which otherwise are the essence of consensus building.” That’s why George R.R. Martin’s “A Game of Thrones” was my best book of 2011; the fantasy is the perfect balance to the academic articles that threaten to strangle a student’s love of reading. That’s not to say “A Game of Thrones” lacks complexity. Martin can overwhelm with multiple characters and plots (and disappoint those who expect good to always triumph — he kills off more than a hero or two). Still, it’s impossible not to get sucked into each new storyline and twist in the saga. One caution to those who prefer PG-rated material: the books are full of rape, torture, blood and guts, though Queen Cersie does give fair warning in the first book: when you play the game of thrones, you either win or you die.

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Robert Repino, writer and book editor

“God and Sex” by Michael Coogan — This is an entertaining and informative rebuttal to both backward-looking fundamentalists and wishy-washy liberals.

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Jessa Lingel, librarian

“Doc and Fluff” by Pat Califia — It’s not every day you find a lesbian dystopian novel to keep you entertained with gore and biker gangs and the occasional lesbian sex scene.

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Brian Hurley, editor of Fiction Advocate

“How to Keep Your Volkswagen Alive” by Christopher Boucher — This book is a story and a game. The story is about a single father in rural Massachusetts hitting rock bottom after the death of his own father. The game is making sense of his metaphors, which are so cracked out that you fear for his sanity. He talks about his son and his Volkswagen Beetle as if they’re the same entity. He explains his father’s death by saying a Heart Attack Tree came along while his father was sitting inside an Invisible Pickup Truck and ripped all the stories out of his father’s chest. The metaphors end up making an eerie kind of sense, and you realize that the book is re-wiring the way look at the world.

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Michael Moats, author of “The Real Holden Caulfield” and editor/contributor at Trade Paperbacks

“Arguably” by Christopher Hitchens/“Infinite Jest” by David Foster Wallace — The best book I read in 2011 was “Infinite Jest” by David Foster Wallace. I think it’s one of the best books you can read, and I happened to read it this year. More on that here. But the best book I read from 2011 was “Arguably” by Christopher Hitchens. Hitchens was known for being disagreeable, and “Arguably” has plenty of contrarianism in its 700-plus pages. But more than his combative side, this last collection before his death demonstrated Hitch’s passionate love of life, and the poetry, wine, history and debate with which he filled his own. More on that here. Finally, the best book I didn’t read from 2011 was either “Pulphead” by John Jeremiah Sullivan or “Parallel Stories” by Peter Nadas. I will have to let you know in 2012.

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Matt Tanner, art director of Fiction Advocate

Boys and Girls Like You and Me” by Aryn Kyle — I came to “A Visit from the Goon Squad” late and somewhat skeptically but was absolutely floored by it. Denis Johnson’s “Train Dreams” is as majestic and mysterious as any of his other books. Still, my favorite book of the year was Aryn Kyle’s “Boys and Girls Like You and Me,” which I found by accident when I picked it up to see who designed the strange and wonderful cover (Evan Gaffney, it turns out). As a designer, I know full well that books don’t necessarily get the covers they deserve. So when I picked up “Boys and Girls,” I wasn’t expecting to be enticed by the first few line or to walk out of the store with the book. Nor was I expecting to discover a collection of beautiful, exquisitely brutal stories about young people–almost all female. I’m not sure I understand women any better, but I am more afraid of them than ever.

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Andra Belknap, contributor to Trade Paperbacks

The Art of Fielding” by Chad Harbach — If you haven’t already, you should really read “The Art of Fielding,” the story of college shortstop Henry Skrimshander. Henry idolizes the famed (and fictional) Cardinals shortstop Aparicio Rodriguez and subscribes to his baseball wisdom, written in his book “The Art of Fielding.” “Fielding” is Henry’s baseball Bible. The conflict that drives the story, of course, is how Henry loses his religion alongside his baseball skills, and searches for something to worship in place of Aparico’s words. During his existential crisis, Henry looks to a mental health professional for guidance. I particularly liked this exchange he had with his therapist:

“I found it interesting, said Dr. Rachels, “that you chose to say Laying down a bunt the way a person might say Laying down my life.”… “I didn’t choose to say it that way,” Henry said, “Lay down a bunt. Everybody says that.”

Indeed, everybody says that. Chad Harbach, in his first novel, encourages his readers to ask why.

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What about you? What did you love reading in 2011? Tell us in the comments below… 

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