When I first read Virginia Woolf’s Mrs. Dalloway, I felt as if she’d scooped me up and placed me in her imagined world. On my second read, I was enveloped again, but this time, I was aware of the plethora of commas, semicolons, dashes and parentheses, and how effectively they not only knit her sentences together, but pinned me to the page, propelling me deeper into the character’s mind.
Punctuation. So easy to neglect, so necessary to create style. Some of our most famous writers have strong opinions about punctuation. Gertrude Stein said of the comma, it’s “a poor period that lets you stop and take a breath but if you want to take a breath you ought to know yourself that you want to take a breath.” José Saramago refuses to douse his prose with punctuation: “Punctuation is like traffic signs, too much of it distracted you from the road on which you traveled.” Continue reading