Last Friday, the New York Times Sunday Styles page published “A Brief History of the Tough Star Profile,” reviewing notable celebrity press takedowns from Lillian Ross’ 1950 New Yorker piece on Ernest Hemingway, to Tiger Woods telling “puerile and sexist jokes” in GQ in 1997, to the most recent (and orders of magnitude less interesting) Esquire piece on Miles Teller. I don’t know who Teller is or why he’s famous, but he was quoted this month comparing his penis to a highball glass and being generally dickish. He’s probably more famous now because of it.
These kinds of profiles represent the extreme version of what David Foster Wallace was fixated on and deeply fearful of during five days he spent with Rolling Stone writer David Lipsky in 1996. The possibility that Lipsky could pick and choose from hours of conversation to portray pretty much any Dave Wallace Rolling Stone wanted came up again and again while the two men were together. We know because, while Lipsky never ended up writing a profile, he ultimately chose to publish the vast majority of the conversation as Although of Course You End Up Becoming Yourself. The book has since been made into the movie The End of the Tour, which I had a chance to see this weekend. Rather than add to the many straightforward reviews done by people who do that better than I can, here’s what I want you to know:
The movie is really good. It’s especially good if Continue reading