In his first book of… not poetry, Michael Robbins, author of Alien vs. Predator and The Second Sex, makes an extended argument about the connections between poetry and pop music.
A pop song is a popular song, one that some ideal “everybody” knows or could know. Its form lends itself to communal participation. Or, stronger, it depends upon the possibility of communal participation for its full effect.
Of course, being a poet, he’s cynical as hell. He says poetry is nothing more than a “sad and angry consolation.” Continue reading