Miranda K. Pennington is the author of A Girl Walks into a Book: What the Brontës Taught Me about Life, Love, and Women’s Work (Seal Press, 2017). Her work has appeared on The Toast, The American Scholar online, The Ploughshares blog, and The Catapult Podcast. Pennington received her MFA in creative nonfiction from Columbia University, where she also was a University Writing Instructor. In addition, she has taught academic writing at Touro College, SUNY Empire State, and the LEDA Institute, and she has led creative writing workshops for the AmpLit festival and Uptown Stories. This fall, Pennington will join the writing faculty of American University in Washington, D.C.
EB: How did you start writing nonfiction? Continue reading
Scaachi Koul is a senior writer for Buzzfeed News. In addition to Buzzfeed, Koul’s work has appeared in The New Yorker, The New York Times, The Guardian, The Hairpin, and Jezebel, among others. Her debut collection of essays, One Day We’ll All Be Dead And None Of This Will Matter, was published by Doubleday Canada and Picador USA in May 2017. You can follow her on Twitter at @scaachi. Koul is based in Toronto.
EB: How did you start writing in general and nonfiction in particular?
SK: I don’t have any other transferable skills. The only thing I can do is write. If there was another option I would have picked something that required less self-loathing. I’m also a really bad liar—I’m not great at inventing narratives that feel honest. I’ve never been able to see a way to do that. My existence has been rife with its own pains—I don’t need to make stuff up right now. I started writing around twelve, thirteen, fourteen. I had a lot of journals and a lot of feelings. And that created this perfect storm that I have yet to escape. Continue reading
Mary Mann is the author of Yawn: Adventures in Boredom. Her essays and criticism have appeared in Smithsonian, The New York Times, The Believer, and The Los Angeles Review of Books, among other publications, and she holds an MFA from Columbia University’s writing program. Mann is the recipient of a Rona Jaffe Foundation Fellowship and a 2015 CATWALK Art Residency, and she is the associate editor of the New York Times bestselling collection Women in Clothes. She is currently employed as a writing associate at The Cooper Union. Mann lives in New York with her fiancé, Grant, and dog, Maya.
EB: How did you start writing nonfiction?
MM: I moved to New York because I wanted to do some writing for somebody somewhere. I loved to read. If I wasn’t writing, I wanted to be editing something—I wanted to be involved with words. I wanted to be in that world. And I moved into nonfiction because that’s just how things shook out. I had an internship at The Onion when I first started out. Obviously those stories are not real, but they treat it like journalism—writers spit-balling stuff off each other. I liked that world. I got a copyediting job after that. I wasn’t crazy about it, and that’s when I applied to Columbia, because that was when I decided I wanted to do something different. I applied to the nonfiction program because it felt natural. I feel like I don’t have a good answer. Continue reading
Sarah Dickenson Snyder is poet based in Massachusetts and Vermont. She is the author of The Human Contract (Kelsay Books, 2017) and the chapbook Notes from a Nomad (Finishing Line Press, 2017). Snyder’s poetry and prose have appeared in Bloodroot Literary Magazine, Teachers & Writers Magazine, Comstock Review, Damfino Press, Chautauqua, West Trade Review, The Main Street Rag, and Passager, among other magazines and anthologies. In May of 2016, she was a 30/30 Poet for Tupelo Press, and she has been selected to be part of the Bread Loaf Writers’ Conference. In addition to writing poetry, Snyder worked as an English teacher for thirty-seven years.
EB: First off, congratulations on your two books of poetry coming out this year! Do you primarily identify as a poet?
SDS: I write some prose—I had a piece recently in in Teachers & Writers Magazine about teaching writing, which is the first chapter of a book I’m playing around with. The book is tentatively called Teacher Land and it’s about the things I’ve learned from my years of teaching—something a beginning teacher might read. I’ve really enjoyed writing it, and I do like writing prose, but, really, I feel more like a poet. Continue reading
Dodai Stewart is a writer, editor, and self-described pop culture junkie. Stewart is the Editor In Chief of Fusion.net, and the former Deputy Editor of Jezebel.com. Her writing has been featured in Entertainment Weekly, New York Magazine, Glamour, and the New York Times, amongst others. You can find a sample of her writing here, and you can follow her on Twitter @dodaistewart. Stewart lives in Manhattan with her misanthropic Chihuahua.
E.B. Bartels: How did you begin writing in general and nonfiction specifically? Continue reading
Photo Credit: Jolene Siana
MariNaomi is the author and illustrator of Kiss & Tell: A Romantic Resume, Ages 0 to 22 (Harper Perennial, 2011), Dragon’s Breath and Other True Stories (2dcloud/Uncivilized Books, 2014), Turning Japanese (2dcloud, 2016), and I Thought YOU Hated ME (Retrofit Comics, 2016). Her work has appeared in over sixty print publications and has been featured on numerous websites, such as LA Review of Books, Midnight Breakfast, and BuzzFeed. From 2011-2013 her comics appeared as the column Smoke In Your Eyes on The Rumpus.
MariNaomi’s comics and paintings have been featured by such institutions as the Smithsonian, the De Young Museum, the Cartoon Art Museum, the Asian Art Museum, and the Japanese American Museum. In 2011, Mari toured with the literary roadshow Sister Spit. She is the creator and curator of the Cartoonists of Color Database and the Queer Cartoonists Database. She has taught classes for the California College of the Arts Comics MFA program, and is currently a guest editor at PEN America.
E.B. Bartels: How did you begin writing and drawing nonfiction? What attracted you to the genre?
MariNaomi: As a girl (as early as age five) I thought I’d grow up to be a novelist, and by age 21 I’d written two novels. I was determined to be a best-selling prodigy. Well, that’s not how things turned out, and I quickly learned that trying to get published is a different game than making up stories, and that I don’t deal well with rejection. After a particularly cruel comment from a publisher (“Who would ever want to read a book like this? It’s too depressing.”) I was shamed into novelistic silence, and I put away my typewriter (yes, both novels were written on typewriters!). Continue reading